Weeks after Epic’s apparent “win” against Apple in the Epic Games v. Apple case, Apple issued a letter denying Epic’s request to have its developer license agreement reinstated until all legal options are exhausted. This effectively bans Fortnite and any other software from the game maker from returning to Apple’s App Store for years.
Epic was handed an initial victory when the US District Court for Northern California issued an injunction on September 10 ordering Apple to open up in-game payment options for all developers. At the time, the injunction was something of a moral victory for Epic—allowing the developer to keep its in-game payment systems in its free-to-play Fortnite intact while avoiding paying Apple a 30 percent fee that had previously covered all in-app transactions.
But now Epic has faced a significant reversal of fortune.
In a letter sent on September 21 to Epic’s legal counsel, Apple’s lawyers said the company refused to reinstate Epic’s account until the courts issue a final, non-appealable verdict. Epic CEO Tim Sweeney revealed Apple’s decision in series of tweets posted on September 22. Sweeney claims the appeals process for the case could take as long as five years.
Apple’s revocation of Epic’s developer license—required to develop and distribute games to the App Store—was “valid, lawful, and enforceable,” Judge Yvonne Gonzalez Rogers said in her ruling. This leaves the decision whether to allow Epic back into the App Store up to Apple.
Apple’s legal team also cited Epic’s alleged “duplicitous” conduct. Apple is referring to the move that sparked the case—Epic adding code into iOS’s version of Fortnite that enable users to buy items directly from the company.
The letter pointed to a tweet Sweeney had posted earlier this month. In the tweet, Sweeney said he “wouldn’t trade an alternative payment system away to get Fortnite back on iOS.” Sweeney said his words were taken out of context.
What “statements” are we talking about here? All Apple cites is a quote they fabricated, claiming I said said Epic “[w]ouldn’t trade [an alternative payment system] away to get Fortnite back on iOS.”
Sweeney tweeted an email he wrote to Apple’s legal counsel on September 16, stating that, while Epic was appealing the court’s decision, the developer had paid Apple the court-ordered $6 million in damages required by the September 10 ruling. He said that his company had disabled the server-side software required for in-game payments for players who still had Fortnite installed on their iOS devices. He also alleged that Apple lied about its intentions to work with Epic to bring the developer back to the App Store.
“Apple lied,” Sweeney said. “Apple spent a year telling the world, the court, and the press they’d ‘welcome Epic’s return to the App Store if they agree to play by the same rules as everyone else.’ Epic agreed, and now Apple has reneged in another abuse of its monopoly power over a billion users.”
While the September 10 ruling went in Apple’s favor, the company was not granted everything it sought in its legal defense. Judge Gonzalez Rogers gave Apple a victory in ruling it had not violated antitrust law, though the company lost the ability to prevent developers from including and advertising their own in-game app purchase payment systems. That ruling could lead to greater repercussions for Apple from other game makers or subscription service providers in the future.
Robert Pattinson is appropriately dark and brooding and beating up bad guys in the latest trailer for The Batman, which debuted at DC FanDome this weekend. Directed by Matt Reeves, the film’s release has been delayed multiple times, but will finally hit theaters next March.
As I’ve written previously, the original plan was to set the film within the DCEU, after the events of Justice League. But as Warner Bros. was rethinking the shared-universe model for its superhero films in favor of standalone films and franchises, Affleck announced he was stepping down as director, and the studio replaced him with Reeves. Affleck would eventually withdraw from the project altogether, following his divorce from Jennifer Garner and a stint in rehab for alcohol abuse.
Reeves brought a very different vision to The Batman, saying that he wanted it to be “an almost noir-driven, detective version of Batman,” focused on Bruce Wayne’s second year fighting crime as the Caped Crusader, rather than once again retelling the character’s origin story.
Reeves said that the plot would follow a series of murders, revealing the history of corruption in Gotham and how Bruce’s family is linked to that corruption. The classic bad guys—the Riddler, Penguin, Catwoman—are also in the early stages of their development into full-fledged villains. Reeves has cited Alfred Hitchcock films as a major influence on the overall look and feel of his film, as well as Chinatown, The French Connection, and Taxi Driver.
Filming was paused in March 2020 due to COVID-19—dialect coach Andrew Jack died from the disease shortly thereafter—after a quarter or so of the film had been shot. And three days after filming resumed in September 2020, Pattinson tested positive for COVID-19, briefly shutting down production again. Filming didn’t wrap completely until March of this year, and the studio pushed the film’s release to 2022 as a result.
In addition to Pattinson, the cast includes Jeffrey Wright (Westworld) as Commissioner Jim Gordon; Colin Farrell (Fantastic Beasts and Where to Find Them) as Oswald Cobblepot/Penguin; Andy Serkis (The Lord of the Rings trilogy) as Bruce Wayne’s butler and mentor, Alfred Pennyworth; John Turturro (Barton Fink, The Big Lebowski) as crime boss Carmine Falcone; Paul Dano (Okja, 12 Years a Slave) as Edward Nashton/The Riddler; and Zoë Kravitz (X-Men: First Class) as Selina Kyle/Catwoman. (Kravitz voiced the character in The Lego Batman Movie.)
The first teaser dropped during last year’s DC FanDome, and the Warner Bros. CinemaCon panel this past August featured a brief sizzle reel of new footage. This latest trailer opens with the arrest of Dano’s Riddler in a coffee shop, although we don’t see his face—just the question mark pattern in the foam of his cappuccino. We get a bit more footage of Batman beating up street goons, some serious sparkage with Selina/Catwoman, and a fiery confrontation with Oswald Cobblepot. But it’s the Riddler who seems to dominate the proceedings, with an ominous voiceover: “What’s black and blue and red all over? You.”
In other Batman news, Warner Bros. dropped a short sneak peek of footage for The Flash film that’s been in development for a good 17 years. It’s loosely based on the 2011 comic crossover story Flashpoint, in which Barry travels back in time to prevent the death of his mother, and accidentally unravels space and time as a result. This new footage confirms that. Ben Affleck is rumored to reprise his Batman, along with Michael Keaton, who last played the Caped Crusader in 1992’s Batman Returns. Yep, we might be getting a mutliverse version of the DCEU.
We don’t see the face of either Affleck or Keaton in this footage, but we do see Barry approach Batman from behind and ask, “Are you in?” And that does sound like Keaton in the voiceover. The studio doesn’t seem to have released the footage on their own YouTube channel, but a version is embedded below. You can watch the full streamed DC FanDome event here.
The Batman is slated for release on March 4, 2022. The Flash is scheduled to hit theaters on November 4, 2022.
John Cena’s Peacemaker was among the standout characters in The Suicide Squad‘s star-studded ensemble cast, so we were intrigued by the news that a spinoff series was in the works. We knew that Peacemaker was being written and directed by James Gunn (Guardians of the Galaxy), and that the series will explore will explore the origins of the character and his subsequent missions. And now we have our first look, thanks to HBO Max, which released an extended teaser trailer for the series during the DC FanDome event.
(A couple of spoilers for The Suicide Squad below.)
Gunn wrote the series last summer during the COVID-19 lockdown, just for fun, but then DC Films approached him about a possible spinoff series for one of the characters in The Suicide Squad. I’m not sure Peacemaker would have been my first choice—Cena’s performance was terrific, but I haven’t quite forgiven the character for the Very Bad Thing he did in that film—but Gunn’s instincts are pretty impeccable, and he clearly felt there was more story to tell.
“He’s not an evil person, he’s just a bad guy,” Gunn told Variety in August. “He seems sort of irredeemable in the film. But I think that there’s more to him. We didn’t get a chance to know him [in The Suicide Squad] in the way we get to know some of the other characters. And so that’s what the whole show is about.” HBO Max was sufficiently impressed with his take that it ordered Peacemaker straight to series.
The eight-episode series is set after the events of The Suicide Squad, specifically after the post-credits scene, in which we learned that Peacemaker had survived what had appeared to be a fatal shooting. That scene hinted that the US government still had some use for him. The teaser makes that hint explicit, as Peacemaker (aka Christopher Smith) is recruited by Clemson Murn (Chukwudi Iwuji) for another mission in order to avoid going back to prison.
That mission is even less noble than the one he was assigned by Amanda Waller: he’s basically an assassin, but hey, at least he’s only killing bad people. He gets assistance from John Economos (Steve Agee)—warden of the Belle Reve penitentiary—NSA agent and former Waller aide Emilia Harcourt (Jennifer Holland), and new team member Leota Adebayo (Danielle Brooks). The cast also includes Robert Patrick as Peacemaker’s crusty father, Auggie Smith (who thinks his son is a “nancy-boy”); Freddie Stroma as Adrian Chase, aka Vigilante, a district attorney who fights crime and has rapid healing abilities; and Nhut Le as Judomaster.
The teaser is heavy on the cheesy, off-color bro-humor, including shots of Peacemaker bending over to to shoot at a target during practice, as well as having Vigilante fire at a bottle held at groin level. Then there’s the whole bizarre conversation about “butt babies.” But in Gunn’s capable hands, the irreverent, over-the-top tone is note-perfect—very much in line with the character and with the tone of The Suicide Squad (which I loved)—and we already know Cena has a remarkable gift for physical comedy, shown to good advantage here. Honestly, we’ll be tuning in to just watch him dance in his apartment in his underwear, and bond with a bald eagle. (“Oh my god. He’s hugging me.”)
Peacemaker debuts on January 13, 2022, on HBO Max.
Back in 2016, the Museum of Pop Culture (MoPOP) in Seattle unveiled an immersive new exhibit, Star Trek: Exploring New Worlds, in its Science Fiction Museum and Hall of Fame–a tribute to the hugely influential long-running franchise. The exhibit embarked on a national tour two years later and has been traveling around the country ever since. And now it’s come to the final stop on its journey: the Skirball Cultural Center in Los Angeles, California, where Gene Roddenberry first created his visionary series, Star Trek: The Original Series (TOS).
“Star Trek’s vision resonates deeply with the Skirball’s commitment to using the power of arts and storytelling to help build a society in which everyone belongs,” museum director Sheri Bernstein said during the press preview last month.
Among the highlights of the exhibit are Captain Kirk’s command chair, and the wooden helm and navigation console from TOS, fully restored. There are plenty of props: different designs of tricorders, communicators, phasers, and P.A.D.Ds; a model of a Borg cube; and lots of weaponry, including a Klingon disruptor pistol.
And of course, there are many, many models of the various spacecraft featured in the franchise over the decades, including filming models for the Enterprise, the USS Excelsior, and the Deep Space Nine space station. “I love spaceship models,” MoPOP’s Brooks Peck, curator of the exhibit, admitted. “Now it’s all digital, but back then it was all about plastic and wood models, so there’s a wonderful craft to those pieces.”
Peck is also proud of the fact that the exhibit showcases the captain’s uniforms from all the major Star Trek TV shows. His personal favorite? Kathryn Janeway from Star Trek: Voyager. “Best Star Trek captain ever,” Peck joked. “I will fight you over that.” There are also many original costumes worn by cast members of the various series, from TOS —including the tunic worn by evil Captain Kirk in the episode “Mirror, Mirror”—all the way through to Star Trek: Discovery.
On the interactive side of things, visitors can crawl through a Jeffries tube, or be “assimilated” by the Borg. A transporter simulation lets people create short films of themselves beaming down to to the surface of an alien planet. There’s a station where one can listen to people reminisce about their favorite Star Trek films and shows, and what the franchise has meant to them. And of course, there are tons of tribbles lurking throughout, for eagle-eyed visitors who want to try and spot them.
In his press preview remarks, Peck emphasized that the characters and themes of TOS were quite radical when it first aired in 1966. This was a time when the Cold War was in full swing, and there was a great deal of racial tension in the US, despite passage of the Civil Rights Act in 1964 and the Voting Rights Act the following year. This was the broad cultural backdrop against which Captain Kirk and the crew of the USS Enterprise had their adventures, all infused with Roddenberry’s optimism for the future.
“Roddenberry believed not that we would get past our differences, but that we would, in fact, embrace our differences, in the sense of diversity,” said Peck. “Sadly, this is a rough time in this nation. We’re seeing a lot of division again. So I’m pleased that we can take some time to look at Star Trek, and its idea of inclusion and working together to build a better and just society, and to hold that up in a fun, artistic form. What Star Trek brings is this optimistic vision of the future that is really inspiring to people.”
Laura Mart, managing curator for the exhibition, also expressed her hope that the exhibit would channel the original Star Trek ethos, ending her remarks with an especially apt quote from Roddenberry:
I believe in humanity. We are an incredible species. We’re still just a child creature, we’re still being nasty to each other, and all children go through those phases. We’re still growing up. We’re moving into adolescence now. When we grow up, man, we’re going to be something.