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Indie games for players worn out on AAA titles – TechCrunch

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2018 has been a big year for big games, and with new titles from the Assassin’s Creed, Red Dead Redemption, Call of Duty and Battlefield franchises all competing… it’s enough to make a gamer want to just quit and play something a little more low-key. Here are some of the smaller, independent games we liked from this year and who they might appeal to.

Bonus: Many of these can be gotten for less than $30, making them super solid/easy gifts. They aren’t for any particular platform or in any particular order, except that I’ve been playing the heck out of Ashen for the last couple of days, so it’s first.

Ashen – for “Souls” lovers

Available on: Xbox One, Windows

(To be fair, this is less of an “indie” than the others on this list, some of which were made by one person, but it’s just off the beaten path enough to qualify.)

If you’ve ever heard your loved one talk about “builds,” really hard bosses or which helmet completes their outfit best, they probably play games of the Dark Souls type. Ashen is a new action-adventure-RPG in the same vein but with a few notable twists. It has a lovely art style, a streamlined (but still byzantine) progression system and an interesting multiplayer style where other players drop into your game, and you drop into theirs, with no real warning or interaction. It works better than you’d think, and I’ve already had some great experiences with it.

Yoku’s Island Express – for people who like both pinball and Metroidvanias

Available on: Switch, PS4, Xbox One, Windows

Don’t be fooled by the cuteness of Yoku’s Island Express. This game is both unique and well-crafted, a fusion of (believe it or not) pinball mechanics and gradual exploration of an enormous map. It’s definitely weird, but it immediately clicks in a way you wouldn’t expect. It’s a great break from the grim environments of… well, lots of the games on this list.

Dead Cells – for action fans who won’t mind “roguelike” repetition

Available on: PS4, Xbox One, Switch, Windows, Linux, macOS

The “roguelike” genre has you traversing procedurally generated variations on a series of levels and progressing farther by improving your own skills — and sometimes getting a couple shiny new weapons or abilities. Dead Cells takes this genre and combines it with incredibly tight side-scrolling action and platforming that never gets, old even when you’re going through the sewers for the 20th time. The developers were very responsive during Early Access; the game was great when I bought it early in the year, and now it’s even better.

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Below – for atmosphere fans who won’t mind “roguelike” repetition

Available on: Xbox One, Windows

In some ways, Below is the opposite of Dead Cells, though they share a bit of DNA. This game, the long-awaited follow-up to Superbrothers: Sword and Sworcery EP by Capy, is a slow, dark, tense descent into a mysterious cave; it’s almost totally wordless and shown with a pulled-back perspective that makes things feel both twee and terrifying. The less said about the particulars of the game, the better (the gamer should discover on their own), but it may be fairly noted that this is a title that requires some patience and experimentation — and yes, you’re going to die on a spike trap.

Cultist Simulator – for the curious

Available on: Windows, macOS, Linux

It’s very hard to explain Cultist Simulator. It’s an interactive story, different every time, told through cards that you draw and play, and which interact with each other in strange and wonderful ways. One card might be a place, another an action, another a person, all of which can be used, investigated or sacrificed to other cards: ideas, drives, gods… it’s really quite amazing, even if you rarely have any idea what’s happening. But the curious and driven will derive great satisfaction from learning the way this strange, beautifully made machine works.

Return of the Obra Dinn – for the observant (and dedicated)

Available on: macOS, Windows

This game absorbed me completely for a few days earlier this year. Like the above, it’s a bit hard to explain: you’re given the task of determining the identities and fates of the entire crew of the titular ghost ship by using a magic watch to witness their last words and the moment of their death. That task, and the story it reveals as you accomplish it, grows increasingly disturbing and complex. The beautiful 1-bit art, great music and voice acting, and extremely clever construction make this game — essentially made by one person, Lucas Pope — one of my favorites of the year. But it’s only for people who don’t mind banging their head against things a bit.

Dusk – for connoisseurs of old-school shooters

Available on: Windows, Switch

If your loved one ever talks about the good-old days of Quake, Half-Life, Unreal and other classic shooters, Dusk will be right up their alley. The chunky graphics are straight out of the ’90s, but the game brings a level of self-awareness and fun, not to mention some gameplay improvements, that make it a joy to play.

CrossCode – for anyone who spent more time playing SNES Classic than AAA games this year

Available on: Windows, Linux, macOS

This crowd-funded RPG was long in the making, and it shows. It’s huge! A fusion of SNES and PSX-era pixel art, smooth but furious top-down action à la Secret of Mana, and a whole lot of skills and equipment. I’ve played nearly 20 hours so far and I’m only now starting to fill out the second branch of four skill trees; the overarching story is still just getting rolling. I told you it was huge! But it’s also fabulous.

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Celeste – for the dexterous and those not inclined to anger

Available on: PS4, Xbox One, Switch, macOS, Windows, Linux

Celeste is one of those games they call “Nintendo Hard,” that elusive combination of difficulty and control that cause you to be more disappointed in yourself than the game when you die. And you will die in Celeste — over and over. Hundreds of times. It gleefully tracks the number of deaths on each set of stages, and you should expect well into three figures. The platforming is that hard — but the game is also that good. Not only is its pixel art style cute and the environments lovingly and carefully crafted, but it tells a touching story and the dialog is actually pretty fun.

Overcooked! 2 –  for friendships strong enough to survive it

Available on: PS4, Xbox One, Switch, Windows, macOS

Much like the first Overcooked, the sequel has you and your friends attempting to navigate chaotic kitchens, hazards, and each other as you try to put together simple dishes like salads and hamburgers for never-sated patrons. The simple controls belie the emergent complexity of the gameplay, and while it can be frustrating at first, it’s immensely satisfying when you get into the zone and blast through a target number of dishes. But only do it with friends you think you can tolerate screaming and bossing each other around.

Into the Breach – for the tactically minded

Available on: Switch, Windows, macOS, Linux

The follow-up to the addictive starship simulator roguelike Faster Than Light (FTL), Into the Breach is a game of tactics taking place on tiny boards loaded with monsters and mechs — but don’t let the small size fool you. The solutions to these little tableaux require serious thinking as you position, attack, and (hopefully) repel the alien invaders. Matt says it’s “perfect for Switch.”

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Wii U and 3DS eShops close down later today, risking hundreds of unique games

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Enlarge / Your last chance to buy individual games for the Wii U and 3DS—assuming you have credits in your wallet account—arrives tonight.

Only a few hours remain for anyone who wants to buy games from the eShops for Nintendo’s Wii U and 3DS.

As it promised more than a year ago, Nintendo is shutting down those digital storefronts tonight at 8 pm Eastern, after previously halting the ability to add eShop funds in May 2022. After today, you can still download or re-download any titles you’ve previously bought from those shops, though that can obviously change in the future. Closing the eShops means that roughly 1,000 digital-only games will no longer be accessible, according to research by VGC, including 335 Virtual Console games that aren’t available through the Nintendo Switch Online service.

These kinds of sweeping moves, while perhaps understandable from a business perspective, pose a serious danger to the preservation of many games in the systems’ libraries. As Ars detailed earlier this month, video game preservationists are hamstrung by laws and regulations around remote access to DRM-protected work, even if it’s kept by research-driven organizations. Nintendo is one of many organizations that, through the Entertainment Software Association, lobbies to prevent libraries from offering legal access to archived games.

Today’s shutdown also marks the end of Nintendo’s Virtual Console, which allowed for the purchase of individual games from Nintendo’s catalog without a subscription. The Console was killed on the original Wii in 2019, and Nintendo does not intend to offer it on the Switch, noting in an FAQ about the eShop shutdown that it currently has “no plans to offer classic content in other ways” (since removed, but archived here). It has, however, offered a website on which you can “Bring back your gaming memories” of 3DS and Wii U titles you’ve purchased and played.

The Completionist’s explanation of how he spent nearly a year buying every available 3DS and Wii U game before today’s shutdown.

If you’re wondering what it would take to buy every game on the eShop, somebody already did that. The Completionist, aka Jirard Khalil, downloaded 1.2TB of Wii U and 267GB of 3DS games, taking 328 days and costing $22,791. “Since the industry started, we run a daily risk of losing games forever,” Khalil tells viewers in the video. “That’s why this matters.” Khalil is donating the consoles and storage containing all the games to the Video Game History Foundation and will host a Preserved Play fundraiser for the foundation April 15-16 on his Twitch channel.

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Fallout 4 mod uses voice AI to add sensible reactions, more RPG-like choices

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Enlarge / Just because you’re still alive in a retro-futuristic-post-apocalyptic Commonwealth doesn’t mean you’re necessarily witty.

Bethesda / ProfMajowski

Modders can change many things inside their favorite games, but dialogue from professionally voiced characters hasn’t been one of those things—at least until recently. AI voice generation could open up new modding avenues for some games, as it has already done with one Fallout 4 mod package.

Roleplayer’s Expanded Dialogue (RED) is listed in the NexusMods catalog as a “Massive expansion of vanilla dialogue,” adding more than 300 entirely new lines of dialogue to the game. Those lines aim to solve an issue near to the hearts of fans of Fallout 1, 2, and New Vegas: role-playing. If you’re playing as a ruthless jerk, a brilliant nuclear scientist, or a strong but dimwitted dolt, you’ll see more dialogue options that reflect this. Mechanically, the roll-the-dice speech “checks,” which are based solely on your charisma level in the default game, can now be unlocked using related traits or skills.

If you're going to let a player be a cannibal, let them talk about it, too.
Enlarge / If you’re going to let a player be a cannibal, let them talk about it, too.

Bethesda / ProjMajowski

They’re not just new labels on existing dialogue, either. RED, created by NexusMods user ProfMajowski (and first seen by us at PCGamesN), says it used ElevenLabs voice AI to generate its more in-character lines. The results can sometimes “sound a little ’emotionless,'” the creator writes, but “otherwise they basically sound like the real thing.” Nothing your character can newly say now will change the game’s mechanics or reactions, but it should sound a bit more in character.

It remains to be seen whether tweaking existing voice files with AI to create new sound-like lines will hold up to legal and copyright scrutiny or whether the new material can claim its own copyright.

Modders who wanted to remake Fallout 3 inside the engine of Fallout 4 were forced to shut down in 2018 after Bethesda advised them that the voice files the mod would have transferred and transformed were not even fully owned by Bethesda itself, opening the unpaid team to legal liabilities. Modders from that point onward tended to seek out their own voice talent, usually working for free, including Fallout: London, Fallout: New Vegas: The Frontier, and others. At the moment, you’re certain to get better and more lived-in results from voice actors, but AI results may soon be good enough for modders looking to move more quickly on large projects—if they can legally do so, of course.

I haven’t had the chance to kick the tires too much on the RED mod, owing both to the dependency traps of trying to line up a new mod in the Vortex manager, and the fact that you have to play a lot of Fallout 4 in a new, mods-enabled game before you meet characters with truly interesting things to say. Still, the opportunity to hear a strong, agile, but incredibly dumb wastelander make his way across burnt-down Boston makes a replay mighty appealing.

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Microsoft wins battle with Sony as UK reverses finding on Activision merger

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Enlarge / Sony’s PlayStation 5.

Sony

UK regulators reviewing Microsoft’s proposed acquisition of Activision Blizzard reversed their stance on a key question today, saying they no longer believe Microsoft would remove the Call of Duty franchise from Sony’s PlayStation consoles.

Last month, the UK Competition and Markets Authority (CMA) tentatively concluded that a combined Microsoft/Activision Blizzard would harm competition in console gaming. At the time, the CMA said evidence showed that “Microsoft would find it commercially beneficial to make Activision’s games exclusive to its own consoles (or only available on PlayStation under materially worse conditions).” The agency also raised concerns about the merger affecting rivals in cloud gaming.

The preliminary finding was a victory for Sony, which has consistently expressed doubts about Microsoft’s promise to keep putting Call of Duty games on PlayStation. But Microsoft argued that the CMA’s financial model was flawed and was able to convince the agency to reverse its conclusion. In an announcement today, the CMA said it “received a significant amount of new evidence.”

“Having considered the additional evidence provided, we have now provisionally concluded that the merger will not result in a substantial lessening of competition in console gaming services because the cost to Microsoft of withholding Call of Duty from PlayStation would outweigh any gains from taking such action,” CMA Panel Chair Martin Coleman said.

As a result, the CMA panel investigating the deal “updated its provisional findings and reached the provisional conclusion that, overall, the transaction will not result in a substantial lessening of competition in relation to console gaming in the UK,” the agency announcement said.

Pulling CoD would cause “significant” financial loss

The updated findings said pulling Call of Duty off PlayStation would cause “a significant net financial loss for the Parties under all scenarios that we considered plausible,” but numbers were redacted from the public version of the document.

The CMA said the “most significant new evidence” submitted to the agency relates to Microsoft’s financial incentives to make Activision games exclusive to Xbox consoles, adding:

While the CMA’s original analysis indicated that this strategy would be profitable under most scenarios, new data (which provides better insight into the actual purchasing behaviour of CoD gamers) indicates that this strategy would be significantly loss-making under any plausible scenario. On this basis, the updated analysis now shows that it would not be commercially beneficial to Microsoft to make CoD exclusive to Xbox following the deal, but that Microsoft will instead still have the incentive to continue to make the game available on PlayStation.

UK hasn’t dropped cloud gaming concerns

This should make it easier for Microsoft to get UK approval of the merger, but the company still needs to convince regulators that the deal won’t harm competition in cloud gaming.

“Our provisional view that this deal raises concerns in the cloud gaming market is not affected by today’s announcement. Our investigation remains on course for completion by the end of April,” Coleman said.

The CMA’s provisional findings last month said evidence “indicates that Microsoft would find it commercially beneficial to make Activision’s games exclusive to its own cloud gaming service (or only available on other services under materially worse conditions). Microsoft already accounts for an estimated 60-70 percent of global cloud gaming services and also has other important strengths in cloud gaming from owning Xbox, the leading PC operating system (Windows) and a global cloud computing infrastructure (Azure and Xbox Cloud Gaming).”

Buying Activision Blizzard, the CMA said, “would reinforce this strong position and substantially reduce the competition that Microsoft would otherwise face in the cloud gaming market in the UK. This could alter the future of gaming, potentially harming UK gamers, particularly those who cannot afford or do not want to buy an expensive gaming console or gaming PC.”

Microsoft in response told the CMA that “Activision games would not have been available to cloud gaming services absent the Merger,” and that there’s “no evidence that Activision content would have been an important input for cloud gaming providers.” Microsoft also said its proposed licensing remedies would “ensure wide availability of CoD and other Activision titles on cloud gaming services.”

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