For the past few years, there’s been a giant void left in Apple’s iPad lineup. On the low end, the base iPad model has retained the traditional form factor, with a spec bump here and there, and most recently gained Apple Pencil support. The iPad Pro line, however, has taken advantage of the fastest processors, modest display improvements, and Apple’s Smart Connector tech for keyboards and sat comfortably at the high-end of the lineup.
Also: Apple unveils new 10.5-inch iPad Air and iPad Mini
The price difference was stark, as well. The iPad starts at $329. The newest iPad Pro models start at $799. There wasn’t a device priced in-between the two.
Then, last month, Apple somewhat quietly released a new iPad Mini and a revamped iPad Air. It’s the first iPad Air since the iPad Air 2 was released in 2014 and then discontinued in 2017. The third-generation iPad Air mixes some of the high-end iPad Pro features while retaining some of the core iPad features and looks, at a $499 price point.
ZDNet’s Matthew Miller recently reviewed the iPad Mini and found it to be outstanding. And for the past two weeks or so, I’ve been using the new iPad Air.
Instead of complicating Apple’s tablet line, the new iPad Air provides some clarity.
The new iPad Air comes with Apple’s A12 Bionic processor, Bluetooth 5.0, 802.11ac WiFi, and 64GB or 256GB of storage. The latter of which carries a $150 over the $499 starting price. If you want to add LTE connectivity to the iPad Air, the price increases by $129 for either storage model.
Color options include silver, space gray, and gold. In lieu of Face ID, the iPad Air uses Apple’s tried-and-true home button with Touch ID. An 8-megapixel camera is found on the rear, with a 7-megapixel camera on the front for selfies and FaceTime calls.
Also: Would a cheaper iPad encourage you to upgrade?
Apple Pencil support is now a standard feature across the entire iPad lineup, including the new iPad Mini. Only the iPad Pro supports the newest Apple Pencil with wireless charging. With the Air, you’ll still need to stick one end of the Apple Pencil into the Lightning port for initial pairing and charging the Pencil. There’s a headphone jack on the top of the housing.
Apple’s Smart Connector is located on the side of the iPad Air, providing connectivity and power to the Smart Keyboard; a new accessory for the iPad Air line. Previously, the Smart Connector and associated peripherals had been reserved for the iPad Pro line. A Lightning port on the bottom is used for charging. Without the keyboard, the new Air weighs right at one pound.
The iPad Air looks very much like older iPad Air models, only instead of a 9.7-inch display, the new iPad Air has a 10.5-inch 2224×1668 display. That’s the same size panel that Apple used in a previous generation of the iPad Pro. It’s just enough extra screen real estate to ease the cramped feel of using multiple apps at the same time.
When using the iPad Air, as opposed to the iPad Pro that I’ve used daily for the last few months, it quickly became apparent there are two features I sorely miss. The first is Face ID. Sitting down at my desk and double-tapping the spacebar and watching as the iPad Pro unlocks and goes back to the app I was in last has become a task I didn’t even think about. Unlocking the iPad Pro with Face ID is done the moment the iPad wakes up and requires zero thinking on my part.
With the iPad Air, I have to either enter my pin code or place a finger on the Touch ID home button. Double-pressing the space bar does nothing more than wake the iPad Air, and I’m left staring at it, waiting for it to unlock.
The other feature I miss is the sound quality of the speakers. The iPad Pro has four speakers: Two on the top and another two on the bottom when holding it vertically. The iPad Air, however, only has two speakers, both of which are on the same end as the home button.
Also: Apple just can’t stop insisting iPad Pro is a computer
Outside of those two areas, the iPad Air is every bit as capable as the iPad Pro in my work routine. A routine that consists of text documents, triaging my inbox, photo editing, and occasional video editing. At no point during my time using the iPad Air in place of the iPad Pro did I feel like it was underpowered or lacking in performance.
Battery life has been more than enough to get through a normal workday, with power to spare. Apple estimates 10 hours of use, and my experience has mirrored that expectation.
Writing or drawing with the Apple Pencil is smooth and the iPad Air’s display is responsive. I’ve made it clear before, I’m no artist, but I do like to use an iPad and Apple Pencil to jot notes during a meeting or when brainstorming story ideas.
One area that all iPads fall short in is software. I complained about with the iPad Pro and iOS 12; the iPad Air runs the same software and suffers from the same shortfalls. Specifically, the lack of a desktop-class browser. Despite the reach of the App Store and the number of companies with apps available for every sort of task, some tasks rely on using a full web browser. Hopefully, iOS 13, which Apple should reveal in early June at this year’s Worldwide Developer Conference, will include a heavy emphasis on improving the iPad’s computing experience.
Which model do you go with?
With different iPad models of various sizes, capabilities, and price points, there’s bound to be some debate on which model to purchase.
I’d imagine that for most users — including those in the enterprise — the new iPad Air is the right choice. It’s not overly expensive, and the recent updates provide modest performance improvements over the iPad. The addition of the Smart Keyboard helps the iPad Air toe the line between a tablet built for productivity, and one that’s better suited for binging on Netflix shows and checking an occasional email.
Also: A Best Buy salesman told me it’s iPad or don’t bother
Unless you absolutely have to have the best of Apple’s best, or a 12.9-inch display, the iPad Pro is too much tablet and has a price point to match. The Air nearly matches the Pro in performance, and at that, I doubt most users would notice the minor differences. And it does it for a few hundred dollars less.
Update: An earlier version of this review stated there wasn’t a headphone jack on this model. That’s been corrected. ZDNet regrets the error.
Twitter rolls out the ability for creators to host Super Follows-only Spaces – TechCrunch
Twitter has announced that it’s rolling out Super Follows-only Spaces. Creators who offer Super Follows subscriptions can now host Spaces exclusively for their subscribers. The social media giant says this new option will give creators a way to “offer an extra layer of conversation to their biggest supporters.”
Subscribers globally on iOS and Android will be able to join and request to speak in Super Follows-only Spaces, whereas subscribers on Twitter’s web platform can join and listen, but won’t have the option to request to speak. Creators can start a Super Follows-only Space by selecting the “Only Super Followers can join” button when starting a new Space. Users who aren’t Super Following a creator will still see the Space, but won’t be able to access it unless they subscribe.
It’s worth noting that the new Super Follow-only option for Spaces isn’t the only way for creators to hold exclusive Spaces. For example, Twitter launched its Ticketed Spaces feature last year to allow creators to set a price for users to listen in on a Space. Creators can set their ticket price anywhere between $1 and $999 and can also limit how many tickets are sold.
Super Follows, which was first revealed in February 2021, allows users to subscribe to accounts they like for a monthly subscription fee in exchange for exclusive content. Super Follows is currently in testing with select creators in the United States on iOS. Eligible accounts can set the price for Super Follow subscriptions, with the option of charging $2.99, $4.99 or $9.99 per month.
The launch of Super Follows-only Spaces adds another layer of exclusivity to Super Follows subscriptions. Twitter says it plans to launch more Super Follows features to allow creators to grow their audiences and get closer to their most engaged followers.
Twitter says its research shows that hosting consistent Spaces leads to more follower growth and also gives creators more ways to engage with their followers. The company found that consistently hosting Spaces, around two times per week, leads to a 17% follower growth over a quarter. In addition, the company says creators who host consistent Spaces for a month see a 6-7% growth in followers, and creators who do so for two months see a 10% growth in followers.
TikTok launches its first creator crediting tool to help video creators cite their inspiration – TechCrunch
After years of stolen memes and uncredited dance trends, TikTok today is introducing a new feature that it says will be the first iteration of its creator crediting tools that allow creators to directly tag and credit others using a new button during the publishing process. This button lets creators credit all sorts of inspiration for their content, including dances, jokes, viral sounds, and more — and will help TikTok viewers discover the original creators behind the latest trend by tapping on the credit from the video’s caption.
Larger creators lifting ideas from smaller ones is an issue that’s not limited to TikTok. But as one of the largest social apps on the market, particularly among a younger Gen Z to Millennial demographic, how it approaches the issue of creator recognition matters.
To that end, TikTok says it’s now rolling out a new feature that will allow users to add a credit as part of the publishing process on the app.
To access the feature, users will tap on a new “video” icon on the posting page after creating or editing their own video. Once on the video page, users will be able to select a video they have liked, favorited, posted, or that had used the same sound.
After this video is selected, the video tag will be added as a mention in the caption.
Those whose videos were tagged by another creator will then be alerted to this via an alert in their TikTok app Inbox.
The feature’s launch follows years of controversy over creator credits and attribution on TikTok.
In particular, TikTok had struggled with some of its top stars sourcing new choreography to perform in their dance videos from creators on other, smaller platforms — like the rival short-form video app Dubsmash, later acquired by Reddit. Many of these unknown creators had helped kick off TikTok’s biggest dance trends in years past, like the Renegade, Backpack Kid, or Shiggy. And many were creators of color, who saw their dances go viral after more famous TikTokers would perform their moves without tagging them as the inspiration. This issue came to a head when The New York Times in 2020 reported on the original creator of the Renegade, then a 14-year-old Atlanta teen, Jalaiah Harmon, who hadn’t received credit for her work after TikTok’s largest creator, Charli D’Amelio, performed her dance for her millions of fans, helping her to further grow her already outsized celebrity status.
The following year, a similar controversy made headlines after TikTok star Addison Rae went on “The Tonight Show” where she taught host Jimmy Fallon a number of popular TikTok dances. Meanwhile, the dances’ original creators, many of whom are Black, remained uncredited in the segment. Later, a number of Black creators went on strike as part of a viral campaign to call attention to the issue of creator credits by refusing to choreograph a dance to Megan Thee Stallion’s latest single.
D’Amelio and some other creators have since begun to handwrite dance credits in their video descriptions, often using the shorthand “dc” for dance credit followed by a tag pointing to the username of the creator. A famous Hollywood choreographer, JaQuel Knight, who made history as the first to copyright his work, has also begun helping other dancers on TikTok get credit for their work too, Vice reported in December.
But dances aren’t the only things being stolen on TikTok. Creators have fielded accusations of stealing everything from cheerleading routines to comedy bits to challenge ideas to music or sounds and much more.
A TikTok spokesperson acknowledged the problem with credits on the platform, noting that the culture of credit was “critical” for the community and for TikTok’s future. “Equitable creator amplification is important for creators, especially the BIPOC creator community,” they added.
In an announcement, Director of the Creator Community at TikTok, Kudzi Chikumbu introduced the feature and highlighted other efforts the company has made to help better highlight original creator work on its platform.
Chikumbu pointed to TikTok’s Originators series, launched last October, which showcases trend originators through the app’s Discover List feature. TikTok also recently debuted a TikTok Originators monthly social series highlighting Originators on the platform. In addition, the TikTok Creator Portal includes a “Crediting Creators” section that highlights the importance of attributing trend originators for their work. Here, the company lays out best practices for crediting originators and explains how to find the originators if you aren’t sure who had started a trend.
The use of the new crediting tag could help make it easier for creators to cite their inspiration. However, it still relies on user adoption to work. If a creator wants to lift ideas without credit, they could simply not use the feature.
“It’s important to see a culture of credit take shape across the digital landscape and to support underrepresented creators in being properly credited and celebrated for their work,” said Chikumbu. “We’re eager to see how these new creator crediting tools inspire more creativity and encourage trend attribution across the global TikTok community.”
TikTok’s new ad product gives creators a chance to partner with marketers on branded content – TechCrunch
TikTok announced today that it’s launching a new ad product called “Branded Mission” that will allow creators to connect with brands and possibly receive rewards for videos. With the new ad product, advertisers can crowdsource content from creators and turn top-performing videos into ads. Advertisers can launch branded campaigns and encourage creators to take part in them. Brands can develop a brief and release it to the creator community encouraging them to participate in Branded Missions.
Creators can then decide what Branded Missions they want to participate in. All creators who are at least 18 years old and have at least 1,000 followers are eligible to participate in a Branded Mission. TikTok says eligible creators whose videos are selected by brands will “benefit from a cash payment and boosted traffic.” On each Branded Mission page, creators will be able to view how much money they have the potential to earn if their video is selected.
Branded Mission is now in beta testing and available to brands in more than a dozen markets. TikTok says the new ad product will be available in additional markets later this year.
The company says this new form of two-way engagement between brands and creators allows the TikTok community to have a creative hand in the ads that are part of a brand campaign. TikTok notes that it’s always looking for creative ways to support creators and help brands reach users on its platforms with relevant content.
“Creators are at the center of creativity, culture and entertainment on TikTok,” the company said in a blog post. “With Branded Mission, we’re excited to bring even more creators into the branded content ecosystem and explore ways to reward emerging and established creators.”
TikTok and brands already leverage creators for ads on the platform, but the new Branded Mission ad product will give creators, especially newer ones, a new way to partner with brands and grow their audiences.
Today’s announcement comes as TikTok recently introduced a new way to lure advertisers to its platform by giving them the ability to showcase their brands’ content next to the best videos on TikTok. TikTok launched TikTok Pulse, which is a new contextual advertising solution that ensures brands’ ads are placed next to the top 4% of all videos on TikTok. Notably, the solution is also the first ad product that involves a revenue share with creators. Creators and publishers with at least 100,000 followers on TikTok will be eligible for the revenue share program during the initial stage of the TikTok Pulse program.
TikTok has also been looking for ways to help brands better reach users on its platform. Last month, the company launched a new Creative Agency Partnerships (CAP) University program that is designed to help creative agencies become “TikTok experts.” The five-week program teaches enrollees what they need to know about getting started on TikTok and how to use the platform to up their marketing game.
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