It’s been nearly a full day since Apple announced a long list of software features and enhancements for nearly all of its core hardware products at WWDC. The iPhone and iPod Touch will get iOS 13, MacOS 10.15 Catalina gains the ability to run iPad apps thanks to Project Catalyst, and the Apple Watch will see its share of improvements.
Also: WWDC 2019: Mac Pro, iPadOS, iOS 13, WatchOS 6, and everything Apple announced
Apple announced a lot on Monday, but for me, the most intriguing announcement was giving the operating system that runs on the iPad its own name. By unbundling the iPad from the same OS that runs on the iPhone, Apple can add iPadOS specific features without having to worry about confusion or the resources required to bring the same features to the iPhone.
Not only does the name change give Apple more freedom with new features, but it also signals that Apple is taking the iPad and its future as a computer replacement more seriously. To be clear, the main features of iOS 13 are still present in iPadOS. Dark mode, Appel Sign In, the new Find My app, and everything else Apple announced on Monday is part of iPadOS.
There’s a lot to like about the direction Apple is taking the iPad with iPadOS. Here are the features I’m looking forward to the most, and one feature that somehow is still missing.
Widgets and smaller app icons are coming to the iPad’s homescreen in iPadOS. If you so choose the Today view, which currently lives to the left of the homescreen, it can be permanently pinned to the homescreen.
I never really use widgets right now other than to quickly glance at battery percentages, check the weather, and glance at the day’s agenda. The process now requires me to purposely seek out that information. By bringing the Today widgets to the homescreen, I can passively monitor the information I’ve deemed important.
What I’m most excited about with the new homescreen is that the addition of always on display widgets will force developers to come up with new and creative uses, adding to the iPad’s functionality.
I’ve griped about Safari on the iPad many, many times. The third-generation iPad Pro is still the best tablet I have ever used (I recently purchased one after Apple’s loan period expired), and I’ve used it daily for work, but it still has the same mobile Safari experience that I have on my iPhone. On a phone, it’s fine, but on the iPad, it’s nothing but disappointing and frustrating.
In iPadOS, Apple has revamped Safari to be what it calls a “desktop-class browser.” Safari will default to the desktop version of all websites you visit and will optimize the site for touch interaction on its own.
Apple even specifically named Google Docs, WordPress, and Squarespace as websites that now work in Safari on the iPad during the keynote.
There’s even a download manager in Safari now! If Apple can nail a desktop-class version of Safari in iPadOS, it will fully replace my MacBook Pro, and that’s something I desperately want to happen.
With iPadOS, you’ll be able to create multiple windows of the same app. Each window acts as a standalone version of that app, so you can work on a budget spreadsheet in one window, and use another window to work through a sales spreadsheet. The windows can be used next to each other, or in split view next to another app.
The demo shown during the keynote looks promising, but I couldn’t help but feel as if there’s going to be a steep learning curve. How do you open windows? How do you know you can open a new window? What about managing windows?
Slide Over was also improved, with the ability to stack apps in Slide Over. The feature looks a lot like multitasking on the iPhone XS Max, with a swipe across the bottom of the app to quickly switch between other apps currently available in Slide Over. A swipe down on the bottom of an app’s Slide Over window will reveal the complete underlying stack of available apps.
All this looks like it will make quickly switching between iPad apps and multitasking better than it currently is, but I’m afraid I’ll have to wait until well after the public beta program launches in July, when developers begin releasing updated iPad apps before we can truly see how effective the new approach is.
External storage support
The new Files app looks a lot like the Finder app on MacOS, and that’s a good thing. Mac users who have decided to ditch an older computer will have a level of familiarity with managing files and folders on iPadOS.
I’ve always wanted a better way file management system on the iPad. I was never a fan of having to remember which app I saved a file to, and then have to figure out how to move that file from one app to another — especially if one of the developers had failed to implement file sharing properly.
In addition to what appears to be a more intuitive Files app, Apple has also added support for external storage to iPadOS. Meaning, you can connect a USB thumb drive or an external hard drive to your iPad and manage files on the drive, copy files to/from the drive, and do all the normal file management stuff you’re accustomed to doing on a computer.
I never bought into Apple’s thinking that iPad users don’t want to use external storage as a reason for the lack of support, and the addition in iPadOS is the right move.
Where’s multi-user support?
Lack of multi-user support in iPadOS is disappointing. The keynote kicked off by taking a look at the next version of TvOS for Apple TV, showing off its support for multiple users, and instantly my confidence in the iPad getting the same feature grew.
Alas, the keynote came and went and we’ve yet to see any reports, leaks, or rumors after developers were able to install the beta that showed multi-user support hidden somewhere in iPadOS.
I’ve never been more optimistic about the future of the iPad after seeing Apple’s initial iPadOS release. This isn’t a release that provides one or two features with building blocks for future releases. Arguably, Apple added more features to the iPad in a single release than it ever has.
Once the public beta launches, I plan on taking a closer look at iPadOS and how it performs overall.
Twitter rolls out the ability for creators to host Super Follows-only Spaces – TechCrunch
Twitter has announced that it’s rolling out Super Follows-only Spaces. Creators who offer Super Follows subscriptions can now host Spaces exclusively for their subscribers. The social media giant says this new option will give creators a way to “offer an extra layer of conversation to their biggest supporters.”
Subscribers globally on iOS and Android will be able to join and request to speak in Super Follows-only Spaces, whereas subscribers on Twitter’s web platform can join and listen, but won’t have the option to request to speak. Creators can start a Super Follows-only Space by selecting the “Only Super Followers can join” button when starting a new Space. Users who aren’t Super Following a creator will still see the Space, but won’t be able to access it unless they subscribe.
It’s worth noting that the new Super Follow-only option for Spaces isn’t the only way for creators to hold exclusive Spaces. For example, Twitter launched its Ticketed Spaces feature last year to allow creators to set a price for users to listen in on a Space. Creators can set their ticket price anywhere between $1 and $999 and can also limit how many tickets are sold.
Super Follows, which was first revealed in February 2021, allows users to subscribe to accounts they like for a monthly subscription fee in exchange for exclusive content. Super Follows is currently in testing with select creators in the United States on iOS. Eligible accounts can set the price for Super Follow subscriptions, with the option of charging $2.99, $4.99 or $9.99 per month.
The launch of Super Follows-only Spaces adds another layer of exclusivity to Super Follows subscriptions. Twitter says it plans to launch more Super Follows features to allow creators to grow their audiences and get closer to their most engaged followers.
Twitter says its research shows that hosting consistent Spaces leads to more follower growth and also gives creators more ways to engage with their followers. The company found that consistently hosting Spaces, around two times per week, leads to a 17% follower growth over a quarter. In addition, the company says creators who host consistent Spaces for a month see a 6-7% growth in followers, and creators who do so for two months see a 10% growth in followers.
TikTok launches its first creator crediting tool to help video creators cite their inspiration – TechCrunch
After years of stolen memes and uncredited dance trends, TikTok today is introducing a new feature that it says will be the first iteration of its creator crediting tools that allow creators to directly tag and credit others using a new button during the publishing process. This button lets creators credit all sorts of inspiration for their content, including dances, jokes, viral sounds, and more — and will help TikTok viewers discover the original creators behind the latest trend by tapping on the credit from the video’s caption.
Larger creators lifting ideas from smaller ones is an issue that’s not limited to TikTok. But as one of the largest social apps on the market, particularly among a younger Gen Z to Millennial demographic, how it approaches the issue of creator recognition matters.
To that end, TikTok says it’s now rolling out a new feature that will allow users to add a credit as part of the publishing process on the app.
To access the feature, users will tap on a new “video” icon on the posting page after creating or editing their own video. Once on the video page, users will be able to select a video they have liked, favorited, posted, or that had used the same sound.
After this video is selected, the video tag will be added as a mention in the caption.
Those whose videos were tagged by another creator will then be alerted to this via an alert in their TikTok app Inbox.
The feature’s launch follows years of controversy over creator credits and attribution on TikTok.
In particular, TikTok had struggled with some of its top stars sourcing new choreography to perform in their dance videos from creators on other, smaller platforms — like the rival short-form video app Dubsmash, later acquired by Reddit. Many of these unknown creators had helped kick off TikTok’s biggest dance trends in years past, like the Renegade, Backpack Kid, or Shiggy. And many were creators of color, who saw their dances go viral after more famous TikTokers would perform their moves without tagging them as the inspiration. This issue came to a head when The New York Times in 2020 reported on the original creator of the Renegade, then a 14-year-old Atlanta teen, Jalaiah Harmon, who hadn’t received credit for her work after TikTok’s largest creator, Charli D’Amelio, performed her dance for her millions of fans, helping her to further grow her already outsized celebrity status.
The following year, a similar controversy made headlines after TikTok star Addison Rae went on “The Tonight Show” where she taught host Jimmy Fallon a number of popular TikTok dances. Meanwhile, the dances’ original creators, many of whom are Black, remained uncredited in the segment. Later, a number of Black creators went on strike as part of a viral campaign to call attention to the issue of creator credits by refusing to choreograph a dance to Megan Thee Stallion’s latest single.
D’Amelio and some other creators have since begun to handwrite dance credits in their video descriptions, often using the shorthand “dc” for dance credit followed by a tag pointing to the username of the creator. A famous Hollywood choreographer, JaQuel Knight, who made history as the first to copyright his work, has also begun helping other dancers on TikTok get credit for their work too, Vice reported in December.
But dances aren’t the only things being stolen on TikTok. Creators have fielded accusations of stealing everything from cheerleading routines to comedy bits to challenge ideas to music or sounds and much more.
A TikTok spokesperson acknowledged the problem with credits on the platform, noting that the culture of credit was “critical” for the community and for TikTok’s future. “Equitable creator amplification is important for creators, especially the BIPOC creator community,” they added.
In an announcement, Director of the Creator Community at TikTok, Kudzi Chikumbu introduced the feature and highlighted other efforts the company has made to help better highlight original creator work on its platform.
Chikumbu pointed to TikTok’s Originators series, launched last October, which showcases trend originators through the app’s Discover List feature. TikTok also recently debuted a TikTok Originators monthly social series highlighting Originators on the platform. In addition, the TikTok Creator Portal includes a “Crediting Creators” section that highlights the importance of attributing trend originators for their work. Here, the company lays out best practices for crediting originators and explains how to find the originators if you aren’t sure who had started a trend.
The use of the new crediting tag could help make it easier for creators to cite their inspiration. However, it still relies on user adoption to work. If a creator wants to lift ideas without credit, they could simply not use the feature.
“It’s important to see a culture of credit take shape across the digital landscape and to support underrepresented creators in being properly credited and celebrated for their work,” said Chikumbu. “We’re eager to see how these new creator crediting tools inspire more creativity and encourage trend attribution across the global TikTok community.”
TikTok’s new ad product gives creators a chance to partner with marketers on branded content – TechCrunch
TikTok announced today that it’s launching a new ad product called “Branded Mission” that will allow creators to connect with brands and possibly receive rewards for videos. With the new ad product, advertisers can crowdsource content from creators and turn top-performing videos into ads. Advertisers can launch branded campaigns and encourage creators to take part in them. Brands can develop a brief and release it to the creator community encouraging them to participate in Branded Missions.
Creators can then decide what Branded Missions they want to participate in. All creators who are at least 18 years old and have at least 1,000 followers are eligible to participate in a Branded Mission. TikTok says eligible creators whose videos are selected by brands will “benefit from a cash payment and boosted traffic.” On each Branded Mission page, creators will be able to view how much money they have the potential to earn if their video is selected.
Branded Mission is now in beta testing and available to brands in more than a dozen markets. TikTok says the new ad product will be available in additional markets later this year.
The company says this new form of two-way engagement between brands and creators allows the TikTok community to have a creative hand in the ads that are part of a brand campaign. TikTok notes that it’s always looking for creative ways to support creators and help brands reach users on its platforms with relevant content.
“Creators are at the center of creativity, culture and entertainment on TikTok,” the company said in a blog post. “With Branded Mission, we’re excited to bring even more creators into the branded content ecosystem and explore ways to reward emerging and established creators.”
TikTok and brands already leverage creators for ads on the platform, but the new Branded Mission ad product will give creators, especially newer ones, a new way to partner with brands and grow their audiences.
Today’s announcement comes as TikTok recently introduced a new way to lure advertisers to its platform by giving them the ability to showcase their brands’ content next to the best videos on TikTok. TikTok launched TikTok Pulse, which is a new contextual advertising solution that ensures brands’ ads are placed next to the top 4% of all videos on TikTok. Notably, the solution is also the first ad product that involves a revenue share with creators. Creators and publishers with at least 100,000 followers on TikTok will be eligible for the revenue share program during the initial stage of the TikTok Pulse program.
TikTok has also been looking for ways to help brands better reach users on its platform. Last month, the company launched a new Creative Agency Partnerships (CAP) University program that is designed to help creative agencies become “TikTok experts.” The five-week program teaches enrollees what they need to know about getting started on TikTok and how to use the platform to up their marketing game.
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