Connect with us

Gaming

Review: More remix than adaptation, Foundation is top-notch storytelling

Published

on

Isaac Asimov’s hugely influential Foundation series of science fiction novels is notoriously difficult to adapt to the screen. The author himself admitted that he wrote strictly for the printed page, and he always refused invitations to adapt his work for film or TV. But Asimov was more than happy to let others adapt his work to a new medium, and he was wise enough to expect that there would—and should—be significant departures from the print version.

That’s just what showrunner David S. Goyer (Dark Knight trilogy, Da Vinci’s Demons) has done with Foundation, Apple TV+’s visually stunning, eminently bingeable new series. Goyer describes it as more of a remix than a direct adaptation, and to my taste, it is a smashing success in storytelling. This series respects Asimov’s sweeping visionary ideas without lapsing into slavish reverence and over-pontification. That said, how much you like Goyer’s vision might depend on how much of a stickler you are about remaining faithful to the source material.

(Some spoilers below, but no major reveals.)

The fundamental narrative arc of the series remains intact. It’s a story that takes place across multiple planets over 1,000 years, with a huge cast of characters. Mathematician Hari Seldon (Jared Harris, Chernobyl, Carnival Row) has developed a controversial theory of “psychohistory” that essentially applies math to sociology to make predictions about the future of the Galactic Empire, which rules every living person in the Milky Way. Seldon’s calculations predict the fall of the empire, ushering in a Dark Ages that will last 30,000 years, after which a second empire will emerge.

The collapse of the empire is inevitable, but Seldon has a plan to reduce the Dark Ages to a mere 1,000 years through the establishment of a Foundation to preserve all human knowledge so that civilization need not rebuild itself entirely from scratch. He is aided by his adoptive son and right-hand man, Raych Foss (Alfred Enoch, who played Dean Thomas in the Harry Potter franchise) and his new protege, Gaal Dornick (Lou Llobell, Voyagers), a math prodigy who travels to the capital to work with Seldon.

Seldon’s predictions make him a dangerous traitor in the eyes of the empire’s rulers. As he himself notes, those in power fear and despise change, and yet change is constant—and inevitable. Instead of executing him and creating a martyr, the rulers exile Seldon to the remote planet of Terminus at the edge of the galaxy, along with the members of the new Foundation, where they begin compiling the Encyclopedia Galactica.

Eventually, there is a threat from a neighboring outer planet, ultimately resolved by the warden of Terminus, Salvor Hardin (Leah Harvey, Fighting with my Family). And the Foundation members learn that Seldon’s plan was far more ambitious and complex than they realized. He told them just enough to set events in motion, since the tenets of psychohistory include an uncertainty principle of sociology, whereby if the collective population learns too much about its predicted fateful actions, those actions will soon become unpredictable. The clash between Seldon and the empire has often been described as a thousand-year game of chess, but there’s an element of rolling the dice and trusting in probabilities for the long game as well.

Perhaps the biggest change from the books is the replacement of the Empire’s ruling committee with a trio of clones called the Cleons. Brother Day (Lee Pace, Halt and Catch Fire, Pushing Daisies) is the primary ruler, with Brother Dusk (Terrance Mann, Sense8) serving in an advisory/legacy role. Meanwhile, Brother Dawn (played as a child by Cooper Carter and as a teenager by Cassian Bilton) is being groomed to take over as the new Brother Day. This gives more of a human face to the rulers, with complex emotions and interpersonal relationships, and all the actors are perfectly cast. I personally would watch Lee Pace read the phone book, and he has much meatier fare to work with here. Technically, they are all perfect incarnations of the same man, at different ages, and this is both the source of their strength as a team and of their conflicts. (Dusk has gained valuable wisdom, if the younger, strong-willed Day could bring himself to listen.)

We knew from the trailers that Salvor Hardin, warden of Terminus, had been gender-swapped, but the character has also been completely reimagined. The Salvor of the books is a shrewd politician (the latest in a long line) who deftly navigates a fraught political environment as the Foundation plants roots on Terminus. In the series, Salvor is a young woman who is still figuring out who she is and what role she’s meant to play in Seldon’s great plan. She shares many of the same traits as Book Salvor, but they are not yet fully developed. She also has a love interest in intergalactic space junker Hugo Krast (Daniel MacPherson, A Wrinkle in Time), and a secret connection in the grand scheme of things that we shall refrain from revealing here.

Asimov’s original trilogy was (to my college self) an enjoyably brisk read, even if the prose got a bit dry and cerebral at times. Goyer has preserved that same tight pacing in the TV series, deftly weaving in character backstories to flesh them out, setting up relationships and the inevitable conflicts between those characters, and inventing some pretty big dramatic moments out of whole cloth to keep the story humming along and viewers hooked. The story jumps between settings and time periods quite a lot, but the writers have done an excellent job sign-posting those jumps, especially in the earlier episodes, to ensure viewers are sufficiently oriented to follow along. (No need for elaborate timeline charts here, as with The Witcher and Dark, although that may change with subsequent seasons.)

The actors all deliver strong, powerful performances from the aforementioned leads on down, and the cinematography and costume and production design are exceptional. Apple TV+ is deeply invested in this series, and it shows. If I had one tiny quibble, it would be that Goyer had so much ground to cover to set up this first season that the big ideas sometimes feel more ornamental than central. I’d love to see the ensuing seasons (assuming they transpire) take a few more breaths here and there to bring those elements front and center more often. I’m confident this writing team could do so without bogging down everything else that works so well.

In short, this is a terrific first ten episodes—Goyer envisions some 80 episodes, should Apple TV+ give him the chance—with no maddening cliffhanger. The finale resolves several plot lines and sets up a few others, leaving viewers both satisfied and eager for more. I think Asimov himself would be pleased with Foundation, particularly since his daughter Robyn is an executive producer on the series and signed off on Goyer’s vision.

The first two episodes of Foundation are now available for streaming on Apple TV+. New episodes will drop every Friday until the S1 finale on November 19, 2021.

Listing image by YouTube/Apple TV+

Continue Reading

Gaming

Robert Pattinson broods and batters his way through new The Batman trailer

Published

on

Robert Pattinson stars as billionaire Bruce Wayne, aka the Caped Crusader, in director Matt Reeves’ forthcoming film, The Batman.

Robert Pattinson is appropriately dark and brooding and beating up bad guys in the latest trailer for The Batman, which debuted at DC FanDome this weekend. Directed by Matt Reeves, the film’s release has been delayed multiple times, but will finally hit theaters next March.

As I’ve written previously, the original plan was to set the film within the DCEU, after the events of Justice League. But as Warner Bros. was rethinking the shared-universe model for its superhero films in favor of standalone films and franchises, Affleck announced he was stepping down as director, and the studio replaced him with Reeves. Affleck would eventually withdraw from the project altogether, following his divorce from Jennifer Garner and a stint in rehab for alcohol abuse.

Reeves brought a very different vision to The Batman, saying that he wanted it to be “an almost noir-driven, detective version of Batman,” focused on Bruce Wayne’s second year fighting crime as the Caped Crusader, rather than once again retelling the character’s origin story. 

Reeves said that the plot would follow a series of murders, revealing the history of corruption in Gotham and how Bruce’s family is linked to that corruption. The classic bad guys—the Riddler, Penguin, Catwoman—are also in the early stages of their development into full-fledged villains. Reeves has cited Alfred Hitchcock films as a major influence on the overall look and feel of his film, as well as Chinatown, The French Connection, and Taxi Driver.

Filming was paused in March 2020 due to COVID-19—dialect coach Andrew Jack died from the disease shortly thereafter—after a quarter or so of the film had been shot. And three days after filming resumed in September 2020, Pattinson tested positive for COVID-19, briefly shutting down production again. Filming didn’t wrap completely until March of this year, and the studio pushed the film’s release to 2022 as a result.

In addition to Pattinson, the cast includes Jeffrey Wright (Westworld) as Commissioner Jim Gordon; Colin Farrell (Fantastic Beasts and Where to Find Them) as Oswald Cobblepot/Penguin; Andy Serkis (The Lord of the Rings trilogy) as Bruce Wayne’s butler and mentor, Alfred Pennyworth; John Turturro (Barton Fink, The Big Lebowski) as crime boss Carmine Falcone; Paul Dano (Okja, 12 Years a Slave) as Edward Nashton/The Riddler; and Zoë Kravitz (X-Men: First Class) as Selina Kyle/Catwoman. (Kravitz voiced the character in The Lego Batman Movie.)

Enlarge / Zoë Kravitz plays Selina Kyle, aka Catwoman

YouTube/Warner Bros

The first teaser dropped during last year’s DC FanDome, and the Warner Bros. CinemaCon panel this past August featured a brief sizzle reel of new footage. This latest trailer opens with the arrest of Dano’s Riddler in a coffee shop, although we don’t see his face—just the question mark pattern in the foam of his cappuccino. We get a bit more footage of Batman beating up street goons, some serious sparkage with Selina/Catwoman, and a fiery confrontation with Oswald Cobblepot. But it’s the Riddler who seems to dominate the proceedings, with an ominous voiceover: “What’s black and blue and red all over? You.”

In other Batman news, Warner Bros. dropped a short sneak peek of footage for The Flash film that’s been in development for a good 17 years. It’s loosely based on the 2011 comic crossover story Flashpoint, in which Barry travels back in time to prevent the death of his mother, and accidentally unravels space and time as a result. This new footage confirms that. Ben Affleck is rumored to reprise his Batman, along with Michael Keaton, who last played the Caped Crusader in 1992’s Batman Returns. Yep, we might be getting a mutliverse version of the DCEU.

We don’t see the face of either Affleck or Keaton in this footage, but we do see Barry approach Batman from behind and ask, “Are you in?” And that does sound like Keaton in the voiceover. The studio doesn’t seem to have released the footage on their own YouTube channel, but a version is embedded below. You can watch the full streamed DC FanDome event here.

The Batman is slated for release on March 4, 2022. The Flash is scheduled to hit theaters on November 4, 2022.

Batman returns in teaser trailer for the forthcoming film The Flash.

Listing image by Warner Bros.

Continue Reading

Gaming

John Cena shows off comedic chops in extended teaser for Peacemaker series

Published

on

John Cena reprises his role as Peacemaker for the forthcoming HBO Max spinoff series Peacemaker.

John Cena’s Peacemaker was among the standout characters in The Suicide Squad‘s star-studded ensemble cast, so we were intrigued by the news that a spinoff series was in the works. We knew that Peacemaker was being written and directed by James Gunn (Guardians of the Galaxy), and that the series will explore will explore the origins of the character and his subsequent missions. And now we have our first look, thanks to HBO Max, which released an extended teaser trailer for the series during the DC FanDome event.

(A couple of spoilers for The Suicide Squad below.)

Gunn wrote the series last summer during the COVID-19 lockdown, just for fun, but then DC Films approached him about a possible spinoff series for one of the characters in The Suicide Squad. I’m not sure Peacemaker would have been my first choice—Cena’s performance was terrific, but I haven’t quite forgiven the character for the Very Bad Thing he did in that film—but Gunn’s instincts are pretty impeccable, and he clearly felt there was more story to tell.

“He’s not an evil person, he’s just a bad guy,” Gunn told Variety in August. “He seems sort of irredeemable in the film. But I think that there’s more to him. We didn’t get a chance to know him [in The Suicide Squad] in the way we get to know some of the other characters. And so that’s what the whole show is about.” HBO Max was sufficiently impressed with his take that it ordered Peacemaker straight to series.

The eight-episode series is set after the events of The Suicide Squad, specifically after the post-credits scene, in which we learned that Peacemaker had survived what had appeared to be a fatal shooting. That scene hinted that the US government still had some use for him. The teaser makes that hint explicit, as Peacemaker (aka Christopher Smith) is recruited by Clemson Murn (Chukwudi Iwuji) for another mission in order to avoid going back to prison.

That mission is even less noble than the one he was assigned by Amanda Waller: he’s basically an assassin, but hey, at least he’s only killing bad people. He gets assistance from John Economos (Steve Agee)—warden of the Belle Reve penitentiary—NSA agent and former Waller aide Emilia Harcourt (Jennifer Holland), and new team member Leota Adebayo (Danielle Brooks). The cast also includes Robert Patrick as Peacemaker’s crusty father, Auggie Smith (who thinks his son is a “nancy-boy”); Freddie Stroma as Adrian Chase, aka Vigilante, a district attorney who fights crime and has rapid healing abilities; and Nhut Le as Judomaster.

The teaser is heavy on the cheesy, off-color bro-humor, including shots of Peacemaker bending over to to shoot at a target during practice, as well as having Vigilante fire at a bottle held at groin level. Then there’s the whole bizarre conversation about “butt babies.” But in Gunn’s capable hands, the irreverent, over-the-top tone is note-perfect—very much in line with the character and with the tone of The Suicide Squad (which I loved)—and we already know Cena has a remarkable gift for physical comedy, shown to good advantage here. Honestly, we’ll be tuning in to just watch him dance in his apartment in his underwear, and bond with a bald eagle. (“Oh my god. He’s hugging me.”)

Peacemaker debuts on January 13, 2022, on HBO Max.

Enlarge / John Cena’s Peacemaker gets his own spinoff series on HBO Max and a brand new team—including a bald eagle because why not?

YouTube/HBO Max

Listing image by YouTube/HBO Max

Continue Reading

Gaming

Star Trek: Exploring New Worlds exhibit comes to LA’s Skirball Center

Published

on

Back in 2016, the Museum of Pop Culture (MoPOP) in Seattle unveiled an immersive new exhibit, Star Trek: Exploring New Worlds, in its Science Fiction Museum and Hall of Fame–a tribute to the hugely influential long-running franchise. The exhibit embarked on a national tour two years later and has been traveling around the country ever since. And now it’s come to the final stop on its journey: the Skirball Cultural Center in Los Angeles, California, where Gene Roddenberry first created his visionary series, Star Trek: The Original Series (TOS).

“Star Trek’s vision resonates deeply with the Skirball’s commitment to using the power of arts and storytelling to help build a society in which everyone belongs,” museum director Sheri Bernstein said during the press preview last month.

Among the highlights of the exhibit are Captain Kirk’s command chair, and the wooden helm and navigation console from TOS, fully restored. There are plenty of props: different designs of tricorders, communicators, phasers, and P.A.D.Ds; a model of a Borg cube; and lots of weaponry, including a Klingon disruptor pistol.  

And of course, there are many, many models of the various spacecraft featured in the franchise over the decades, including filming models for the Enterprise, the USS Excelsior, and the Deep Space Nine space station. “I love spaceship models,” MoPOP’s Brooks Peck, curator of the exhibit, admitted. “Now it’s all digital, but back then it was all about plastic and wood models, so there’s a wonderful craft to those pieces.”

Peck is also proud of the fact that the exhibit showcases the captain’s uniforms from all the major Star Trek TV shows. His personal favorite? Kathryn Janeway from Star Trek: Voyager. “Best Star Trek captain ever,” Peck joked. “I will fight you over that.” There are also many original costumes worn by cast members of the various series, from TOS —including the tunic worn by evil Captain Kirk in the episode “Mirror, Mirror”—all the way through to Star Trek: Discovery.

On the interactive side of things, visitors can crawl through a Jeffries tube, or be “assimilated” by the Borg. A transporter simulation lets people create short films of themselves beaming down to to the surface of an alien planet. There’s a station where one can listen to people reminisce about their favorite Star Trek films and shows, and what the franchise has meant to them. And of course, there are tons of tribbles lurking throughout, for eagle-eyed visitors who want to try and spot them.

In his press preview remarks, Peck emphasized that the characters and themes of TOS were quite radical when it first aired in 1966. This was a time when the Cold War was in full swing, and there was a great deal of racial tension in the US, despite passage of the Civil Rights Act in 1964 and the Voting Rights Act the following year. This was the broad cultural backdrop against which Captain Kirk and the crew of the USS Enterprise had their adventures, all infused with Roddenberry’s optimism for the future.

“Roddenberry believed not that we would get past our differences, but that we would, in fact, embrace our differences, in the sense of diversity,” said Peck. “Sadly, this is a rough time in this nation. We’re seeing a lot of division again. So I’m pleased that we can take some time to look at Star Trek, and its idea of inclusion and working together to build a better and just society, and to hold that up in a fun, artistic form. What Star Trek brings is this optimistic vision of the future that is really inspiring to people.”

Laura Mart, managing curator for the exhibition, also expressed her hope that the exhibit would channel the original Star Trek ethos, ending her remarks with an especially apt quote from Roddenberry:

I believe in humanity. We are an incredible species. We’re still just a child creature, we’re still being nasty to each other, and all children go through those phases. We’re still growing up. We’re moving into adolescence now. When we grow up, man, we’re going to be something.

Listing image by Skirball Center/MoPOP

Continue Reading

Trending