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The Looking Glass Pro might be the weirdest all-in-one PC ever – TechCrunch

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All-in-one PCs have adopted some pretty odd designs over the years, but I’ve never seen one quite like this.

The Looking Glass Pro is an all-in-one gaming PC that’s focused on one thing, visualizing 3D content on its bizarre lenticular display that makes you feel like you’re staring into a glass box filled with pixels. The embedded 4K display renders dozens of potential views and pipes them out as lower-res slices through some bizarre lens wizardry so that users can see the onscreen content in volumetric 60fps 3D without needing glasses.

You can get a better sense of how exactly this looks from a video that the company tweeted out.

This isn’t the first product from Brooklyn-based Looking Glass Factory, but it is a culmination of all their weirder efforts to date.

Last year, the company raised nearly $850,000 in a crowdfunding campaign for its Looking Glass display, focusing the market for the display technology on creators looking to visualize 3D graphics and objects without having to toss on a VR headset. The company has disclosed nearly $14 million in funding.

With the new hardware, the startup is aiming to court some enterprise customers to shove one of these front-and-center on their conference table displays, hoping that the new design can streamline the process of showcasing 3D content. Looking Glass Factory is courting everyone who has ever brought a VR headset to showcase 3D content. The startup argues that their solution showcases glorious 3D but doesn’t require a headset, and can showcase multiple views to multiple people at once.

Copyright 2006 Phoebe Cheong, all rights reserved

The hardware is focused on ensuring that you can cue up content and live-render it as users manipulate the content or change views with the on-board touch controls. The Looking Glass Pro integrates an Intel NUC 8 VR mini PC running Windows as well as a 7″ secondary touch panel screen that flips out from the side to make navigating the PC a bit easier, though that process still seems to be a tad janky at the moment.

The whole premise for this thing is weird and cool but also super expensive. The original 15.6″ Looking Glass display was $3,000; this thing is $6,000. The workstation is available for pre-order now and ships in July.

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The Callisto Protocol review: A relentless horror spectacle

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Enlarge / Hello, gorgeous.

In the survival-horror genre, building tension and ramping up a sense of dread is the backbone of the experience. As a new sci-fi horror IP coming from the creators of Dead Space, The Callisto Protocol homes in on that creeping sense of unease as it forces you to confront its many grotesque threats head-on. When playing The Callisto Protocol, I always felt on edge, even during moments when I could have let my guard down.

The game takes some strong influences from its spiritual predecessor Dead Space and puts its own spin on a more visceral type of horror experience. That said, The Callisto Protocol‘s influences and genre are abundantly clear, and it occasionally falls back on familiar tropes and some frustrating combat encounters. Still, it maintains its solid, relentless poise as an unnerving yet still thrilling survival-horror game.

Welcome to Black Iron Prison

You play as Jacob Lee (Transformers’ Josh Duhamel), a far-future freelance cargo hauler with a murky past who crash lands on Jupiter’s titular frozen moon. After getting abducted by the ruthless head of security, Captain Ferris (Days Gone’s Sam Witwer), Jacob finds himself trapped in the mysterious and inhumane Black Iron Prison.

Eventually, a mysterious viral outbreak mutates nearly everyone inside, turning them into ravenous monsters called Biophages. Launching an escape with other prisoners, including the enigmatic anti-corporate activist Dani Nakamura (The Boys’ Karen Fukuhara), Jacob delves deep into Black Iron Prison and the moon’s lower depths to uncover what happened and make it out alive.

Right from the start, and despite the grotesque, over-the-top horror setting, there’s a palpable sense of realism to The Callisto Protocol’s story and visuals. This is hard sci-fi through and through, in the vein of Paul W.S. Anderson’s Event Horizon or John Carpenter’s The Thing (or the original Dead Space series, unsurprisingly). The game plays it straight with its unsettling vision of a future gone awry, which provides a rich environment to play in. Aside from rare one-liners, there’s not much levity, which keeps with the game’s bleak narrative and atmosphere.

Remember to breathe.
Enlarge / Remember to breathe.

As a cinematic, story-driven game, The Callisto Protocol keeps its pace and structure tight, focusing on Jacob’s ordeal as he’s ferried to different encounters and events in a mostly linear fashion. Aside from chapter breaks and more in-depth cinematics, you’re always viewing events from Jacob’s perspective. The performances from the main cast do an effective job of selling the plot’s sense of urgency and dark tone. While the story largely keeps its twists subdued and doesn’t venture far from its initial premise by the end of its 12-plus-hour campaign, it still succeeds as a solid vehicle for an intense and brutal horror game.

What truly sells The Callisto Protocol and its setting are the fantastic visuals and sound design. The presentation is incredibly effective at establishing mood, with small details combining together into the most impressive and effective survival-horror tapestry I’ve seen in a long time. This is especially evident in the gruesome design of the Biophages, as well as the numerous, wince-inducing death scenes.

When the visuals and sound design all work in concert, it creates a stark sense of dread and unease that sticks with you to the end. One section had me explore the depths of the prison while the power was fluctuating, creating moments of darkness for the enemies to move around unseen. Just trying to keep track of where these monsters were put me on edge. It was an unnerving section that really showcased the craft of the game’s impressive presentation.

While Black Iron Prison is slightly similar to the USG Ishimura from Dead Space, the setting comes into its own once the game’s scope expands, showcasing fantastic views of the outside frozen lunarscape and the darker depths of Callisto. The game’s linear progression and tight pacing cut down on backtracking. That said, there are still moments where you can venture off and explore hidden rooms, mainly to uncover some intriguing clues and audio logs about Black Iron Prison history and what came before.

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The Mandalorian season 3 has been delayed—but only a little

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Enlarge / A promotional image for the third season of The Mandalorian.

After months of silence about it, Disney has finally revealed the premiere date of the third season of its first live-action Star Wars TV series, The Mandalorian. The new season will premiere on March 1, 2023.

That’s just a little bit later than what Disney said to expect the last time it made an announcement; the release window was announced to be February 2023 in a tweet in May.

Minor premiere date slipping aside, it’s been quite a time since the previous season in either case. The second season premiered back in October 2020. That said, it wouldn’t be accurate to say that it’s been more than two years since we last spent time with the show’s two central characters, Mando and Grogu.

That’s because both appeared prominently in The Book of Boba Fett, a limited series that ran from December 2021 through February 2022. In fact, they were so prominent in part of that show that we called it The Mandalorian season 2.5 when we reviewed it.

Expect them to be the main focus of The Mandalorian season three when it premieres March 1, though; that point is driven home by the promotional image shown above and by the plot threads that carry over from The Book of Boba Fett and prior seasons of The Mandalorian.

The Mandalorian received generally positive reviews when it premiered—a stark contrast to the divided responses to most of the recent Star Wars movies. Thus far, the various TV series have been helmed by a different creative team than the movies. Accomplished director Jon Favreau and Star Wars animated series veteran Dave Filoni seem to have done a better job satisfying fans than some of the other directors, producers, and writers of the films.

Disney sought to spin off several additional live-action Star Wars shows from the series, several of which stem from characters who had guest roles in the second season, including the first live-action rendition of Ahsoka Tano from the popular Clone Wars animated series.

Not all of Disney’s now-numerous live-action Star Wars series are Mandalorian spinoffs, though. Earlier this year, Disney+ ran a limited series focused on Obi-Wan Kenobi that took place between the prequel films and the original trilogy. The same goes for the thriller Andor, which just finished its first season to widespread critical acclaim.

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Nintendo apologizes for Pokémon performance problems, promises “improvements”

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Enlarge / Portrait of the author learning that some of the Pokémon Scarlet and Violet performance problems might be fixed.

Andrew Cunningham

Our review of Pokémon Scarlet and Violet mentioned some of the game’s pervasive performance issues, and we weren’t the only ones. Even more mainstream outlets like The Guardian and CNN noted the games’ performance problems. Eurogamer’s Digital Foundry team, known for its in-depth analyses of game performance, called the games “comprehensive technical failures,” also calling attention to their blurry and poorly tiled textures and “low-geometry” environments.

Players have noticed plenty of other problems, too; these include a bug that allowed players to run twice as fast by connecting two controllers to the Switch, bizarre animations and clipping problems, Pokémon that blast off into the sky like Team Rocket, and some evidence that online battles were using the same probability seed for every match, making it easier for attentive players to make low-accuracy moves hit 100 percent of the time. I captured a screenshot of a Hoppip that was casting three shadows simultaneously (though it’s possible the Paldea region has three suns that I just don’t know about).

I'm no scientist, but I don't think this is how lighting works.
Enlarge / I’m no scientist, but I don’t think this is how lighting works.

Andrew Cunningham

Nintendo released a 1.1.0 update for both Pokémon games today that includes “select bug fixes” (though the company didn’t specify which). But alongside that mostly routine post-launch update came a less-routine acknowledgment of the performance problems and a suggestion that the company would provide fixes.

“We are aware that players may encounter issues that affect the games’ performance. Our goal is always to give players a positive experience with our games, and we apologize for the inconvenience,” the statement reads. “We take the feedback from players seriously and are working on improvements to the games.”

Notably, “tak[ing] feedback from players seriously” and “working on improvements” don’t amount to a promise that every single dropped frame and ugly texture is going to be fixed. But like Sword and Shield, Scarlet and Violet will likely enjoy a decent amount of post-release support, including functional updates like Pokémon Home compatibility and substantial new DLC content. This should hopefully justify the time and money needed to make noticeable performance improvements, even though the games as they currently exist have still managed to be the fastest-selling titles Nintendo has ever released.

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