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The ultimate e-book on hurricanes is an iPad exclusive



Photographer Jim Edds, co-author of “Hurricane Journey: Life in the Danger Zone” for iPad.

It’s been a very long time since I’ve sat through a real hurricane. I’m about to get my memory jogged when I get to experience Dorian this weekend, which is expected to make landfall as a Category 4 hurricane.

About seven years ago I made the acquaintance of an intrepid photographer/videographer named Jim Edds, who had spotted a ZDNet article I wrote on hurricane tracker applications. 

As it turns out, this guy is an expert on chasing dangerous storms and had a whole bunch of apps he himself uses to do his work, so I included them in an updated version of the article. 

I was curious about his work, so checked out his website, The site is loaded with pictures and video footage from over 20 years of his experience as a professional storm photographer selling images and video to major news outlets.

Unfortunately, his website is laid out like something from the Netscape 2.0 days written with a shareware web authoring tool and a circa-1995 copy of “HTML for Dummies.”

After speaking to him on the phone, I suggested that maybe he should get himself some professional help and clean it up a bit. As I recall, he responded with something along the lines of “I’m really too busy to do that, I’m working on a book, it’s coming out in a few months, I’ll get to it eventually.”  

He eventually contacted me and said his book was out, and it was on the Apple iBooks store.

iBooks store? Why the hell didn’t he release it on Kindle? There’s a hell of a lot more people who use Kindles than reading books on iBooks. But ok, he gave me a download code, and I wanted to see what the heck he wrote.

What got downloaded to my iPad blew me away.

The book, “Hurricane Journey” ($3.99) which Edds co-Authored with writer/photographer Jeff Gammons (who did all of the publishing layout and content production) is the iPad equivalent of a “Coffee Table” book, which is stuffed full of the most amazing photographs and video of hurricanes and the damage that they can inflict that I have ever seen.

In the example below, different force levels on the Saffir-Simpson Scale are demonstrated using video that Edds has taken.

If you’re wondering why there’s no Category 5 shown, it’s because when it was written, nobody on earth had managed to get a daytime video of one in action yet. Edds was the first to get it, some years later, in his coverage of typhoons in the Philippines, and he invited me to join him the next time he does. I have to admire such bravery, but I’m going to have to pass on his gracious offer.


All of this interactive content is combined with some truly amazing stories of how Edds routinely puts himself in harm’s way, coupled with a tremendous amount of educational material about how hurricanes form, how powerful they can get, and how the National Hurricane Center collects data about them so people who live in the path of these dangerous storms can be warned before they hit.

The book is organized into six chapters — The Lifecycle of a Hurricane, The Danger Zone, Flying Aboard the NOAA Hurricane Hunter Aircraft, two sections on Edds’ experiences filming Hurricane Charley and Hurricane Katrina, and finally, a chapter on how to best prepare for and how to survive should you get caught in the path of a hurricane.


The entire 65-page landscape format e-book was produced in the iBooks Author program, which Apple released as part of its educational initiative. 

When it was initially released, I criticized Apple because the program and Apple’s EULA restricts developing textbooks for the iPad platform only. I also feel that the iPad is too expensive to use as textbooks for children, and they probably aren’t durable enough for kids to be throwing around in their knapsacks every day.

I still think that Apple should open this tool up to producing content for other platforms, but after seeing what Edds and Gammons have created, I now truly understand just how powerful and useful a platform that iBooks can be, mainly when it is applied to applications such as this.

If you own an iPad and you live in an area that is frequently targeted by Tropical Storms, Hurricanes, Typhoons, and Tropical Cyclones, then you owe it to yourself to spend the $4 and buy this book.

I’ll certainly be reading it cover to cover this weekend.

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Facebook will pay $650 million to settle class action suit centered on Illinois privacy law – TechCrunch



Facebook was ordered to pay $650 million Friday for running afoul of an Illinois law designed to protect the state’s residents from invasive privacy practices.

That law, the Biometric Information Privacy Act (BIPA), is a powerful state measure that’s tripped up tech companies in recent years. The suit against Facebook was first filed in 2015, alleging that Facebook’s practice of tagging people in photos using facial recognition without their consent violated state law.

Indeed, 1.6 million Illinois residents will receive at least $345 under the final settlement ruling in California federal court. The final number is $100 million higher than the $550 million Facebook proposed in 2020, which a judge deemed inadequate. Facebook disabled the automatic facial recognition tagging features in 2019, making it opt-in instead and addressing some of the privacy criticisms echoed by the Illinois class action suit.

A cluster of lawsuits accused Microsoft, Google and Amazon of breaking the same law last year after Illinois residents’ faces were used to train their facial recognition systems without explicit consent.

The Illinois privacy law has tangled up some of tech’s giants, but BIPA has even more potential to impact smaller companies with questionable privacy practices. The controversial facial recognition software company Clearview AI now faces its own BIPA-based class action lawsuit in the state after the company failed to dodge the suit by pushing it out of state courts.

A $650 million settlement would be enough to crush any normal company, though Facebook can brush it off much like it did with the FTC’s record-setting $5 billion penalty in 2019. But the Illinois law isn’t without teeth. For Clearview, it was enough to make the company pull out of business in the state altogether.

The law can’t punish a behemoth like Facebook in the same way, but it is one piece in a regulatory puzzle that poses an increasing threat to the way tech’s data brokers have done business for years. With regulators at the federal, state and legislative level proposing aggressive measures to rein in tech, the landmark Illinois law provides a compelling framework that other states could copy and paste. And if big tech thinks navigating federal oversight will be a nightmare, a patchwork of aggressive state laws governing how tech companies do business on a state-by-state basis is an alternate regulatory future that could prove even less palatable.


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Twitter rolls out vaccine misinformation warning labels and a strike-based system for violations – TechCrunch



Twitter announced Monday that it would begin injecting new labels into users’ timelines to push back against misinformation that could disrupt the rollout of COVID-19 vaccines. The labels, which will also appear as pop-up messages in the retweet window, are the company’s latest product experiment designed to shape behavior on the platform for the better.

The company will attach notices to tweeted misinformation warning users that the content “may be misleading” and linking out to vetted public health information. These initial vaccine misinformation sweeps, which begin today, will be conducted by human moderators at Twitter and not automated moderation systems.

Twitter says the goal is to use these initial determinations to train its AI systems so that down the road a blend of human and automated efforts will scan the site for vaccine misinformation. The latest misinformation measure will target tweets in English before expanding.

Twitter also introduced a new strike system for violations of its pandemic-related rules. The new system is modeled after a set of consequences it implemented for voter suppression and voting-related misinformation. Within that framework, a user with two or three “strikes” faces a 12-hour account lockout. With four violations, they lose account access for one week, with permanent suspension looming after five strikes.

Twitter introduced its first pandemic-specific policies a year ago, banning tweets promoting false treatment or prevention claims along with any content that could put people at higher risk of spreading COVID-19. In December, Twitter added new rules focused on popular vaccine conspiracy theories and announced that warning labels were on the way.

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Facebook launches BARS, a TikTok-like app for creating and sharing raps – TechCrunch



Facebook’s internal R&D group, NPE Team, is today launching its next experimental app, called BARS. The app makes it possible for rappers to create and share their raps using professionally created beats, and is the NPE Team’s second launch in the music space following its recent public debut of music video app Collab.

While Collab focuses on making music with others online, BARS is instead aimed at would-be rappers looking to create and share their own videos. In the app, users will select from any of the hundreds of professionally created beats, then write their own lyrics and record a video. BARS can also automatically suggest rhymes as you’re writing out lyrics, and offers different audio and visual filters to accompany videos as well as an autotune feature.

There’s also a “Challenge mode” available, where you can freestyle with auto-suggested word cues, which has more of a game-like element to it. The experience is designed to be accommodating to people who just want to have fun with rap, similar to something like Smule’s AutoRap, perhaps, which also offers beats for users’ own recordings.

Image Credits: Facebook

The videos themselves can be up to 60 seconds in length and can then be saved to your Camera Roll or shared out on other social media platforms.

Like NPE’s Collab, the pandemic played a role in BARS’ creation. The pandemic shut down access to live music and places where rappers could experiment, explains NPE Team member DJ Iyler, who also ghostwrites hip-hop songs under the alias “D-Lucks.”

“I know access to high-priced recording studios and production equipment can be limited for aspiring rappers. On top of that, the global pandemic shut down live performances where we often create and share our work,” he says.

BARS was built with a team of aspiring rappers, and today launched into a closed beta.

Image Credits: Facebook

Despite the focus on music, and rap in particular, the new app in a way can be seen as yet another attempt by Facebook to develop a TikTok competitor — at least in this content category.

TikTok has already become a launchpad for up-and-coming musicians, including rappers; it has helped rappers test their verses, is favored by many beatmakers and is even influencing what sort of music is being made. Diss tracks have also become a hugely popular format on TikTok, mainly as a way for influencers to stir up drama and chase views. In other words, there’s already a large social community around rap on TikTok, and Facebook wants to shift some of that attention back its way.

The app also resembles TikTok in terms of its user interface. It’s a two-tabbed vertical video interface — in its case, it has  “Featured” and “New” feeds instead of TikTok’s “Following” and “For You.” And BARS places the engagement buttons on the lower-right corner of the screen with the creator name on the lower-left, just like TikTok.

However, in place of hearts for favoriting videos, your taps on a video give it “Fire” — a fire emoji keeps track. You can tap “Fire” as many times as you want, too. But because there’s (annoyingly) no tap-to-pause feature, you may accidentally “fire” a video when you were looking for a way to stop its playback. To advance in BARS, you swipe vertically, but the interface is lacking an obvious “Follow” button to track your favorite creators. It’s hidden under the top-right three-dot menu.

The app is seeded with content from NPE Team members, which includes other aspiring rappers, former music producers and publishers.

Currently, the BARS beta is live on the iOS App Store in the U.S., and is opening its waitlist. Facebook says it will open access to BARS invites in batches, starting in the U.S. Updates and news about invites, meanwhile, will be announced on Instagram.

Facebook’s recent launches from its experimental apps division include Collab and collage maker, among others. Not all apps stick around. If they fail to gain traction, Facebook shuts them down — as it did last year with the Pinterest-like video app Hobbi.

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